A sealed-conditions simulation examining how preparation, layered defenses, and environmental control shape a high-pressure confrontation between Vegeta and Doctor Doom during a recovery mission involving Trunks.
After my first library print showed me where FDM starts to break down for minis, this batch was about seeing what the same machine could do when I stopped guessing and started respecting its limits.
My first 3D print didn’t fail — but it didn’t succeed cleanly either. Using a public library’s FDM printer, I learned the hard limits of scale, color choice, and why tabletop miniatures punish inexperience fast. This is a first-print autopsy, mistakes included.
A Dr. Doom sketch I drew about 13 years ago, back when I was actively studying comic-book shading and inking techniques. At the time I fixated on its flaws; looking at it now, it’s a surprisingly solid snapshot of where my skills were headed.
It's the modern treasure hunt. Funko Pops are everywhere, but the chase for that one rare Pop is what it's all about. This is a look at the collector's journey—the thrill of the hunt, the agony of the near-miss, and the glory of finally finding your grail in the wild.
A look back at one of the greatest feats of miniature design: Micro Machines. From their unique scale and incredible detail to the legendary transforming playsets (like Darth Vader's head!), we're exploring what made these tiny toys a massive part of our childhood and a true collector's classic.
From tabletop worlds to public library printers, a new age of creation is here. Learn how Canadian makerspaces are transforming miniature crafting—one layer of filament at a time.
The first official toolkit for the workshop has arrived. In this post, I crack open the Reaper Learn to Paint Kit and take a look at the tools that will kick off my journey from grey plastic to... well, something with paint on it. Here's what's in the box.
So, I built my DIY photo box. I had my light, my new seamless black background, and a collection of minis ready to go. I thought I was all set to start taking professional-looking photos for the workshop.
I was wrong.
In 2004, I was about 15. And I went for a walk through a part of Winnipeg I didn't really know.
That's when I saw it: a comic book shop with the brightly colored storefront that pulled me in.